Berghain bouncer memoir9/1/2023 Last month, he visited New York for an exhibition of his work at ArtsDistrict Brooklyn, a cavernous space in Greenpoint. “I worked eighteen years for this house, and it’s a big chance and good memories, but ja, now everyone knows this place.”Īt sixty-one, he is working there less frequently-“I don’t know when my next shift is”-and focussing more on his long side career as a photographer. He’s been in a couple of documentaries (“Berlin Bouncer”), has published a memoir (“ Die Nacht Ist Leben”), and has a cameo in the latest “ John Wick.” (His only line: “I am Klaus.”)ĭoes he get tired of being Herr Berghain? They aren’t his alone, but for better or worse he has become their face. ![]() The criteria for entry are obstinately imprecise. Typically posted by the entrance, dressed in black, face-tattooed, with lower-lip piercings that look like silver fangs, he has become in his own way world-notorious, too-as an embodiment of Berghain’s old East Berliner queer-punk spirit, and as the intimidating assessor of that spirit’s traces in the aspirants who stand in line. ![]() He has been as responsible as anyone for its singular admixture of interesting humans, which, along with its freethinking ethos and its killer sound system, has made it world-famous and very hard to get into. For almost two decades, Sven Marquardt has worked as the doorman and principal sorter at Berghain, the Berlin night club.
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